ACRYLIC GLOSS VARNISH “SONNET” 100ML
1. Varnish based on acrylic dispersion.
2. Designed to cover the finished works of art made with acrylic or tempera paints, surfaces of wood, including picture frames. Forms a strong glossy / matte, durably water.
3. Varnish applied with a brush in one or more layers with intermediate drying for 4 hours at room temperature.
4. Dry up varnish surface within one day.
5. Upon dilution with water reduces shine and durability of the lacquer film.
6. In contact with skin wash off with warm water and soap for drying varnish.
7. Wash brushes and tools with water immediately after use.
8. Store in a tightly sealed pot at 5 to 35 ° C
ACRYLIC MATT VARNISH “SONNET” 100ML
Adjustable Set Square With Inking Edge- Sitaram
Anatomy & Drawing by Victor Perard
About the book
The purpose of this book is to present in a simple and direct manner the subject of Anatomy as applied to Art. As little text is possible has been used and much dependence has been placed on pictorial representation because the more direct means of impressing the artist with construction and form.
Recommended in all art school, colleges and fashion designing institutions in India.
Anupam Dusk Watercolour Hard Bound Grey Tone Papers 225 GSM
Anupam Glare Watercolour Hard Bound Natural Shade Papers 200 GSM
Natural White Cold Pressed Paper Achieves Vibrant results while painting bright scenery & lively portraits. White Background Helps in providing Natural True to Life Colours & Freshness. Canvas Textured Cover, Usable on Both Side. Coarse Surface for easy painting & Sketching. High opacity, pH Neutral & Acid-Free Paper.
Anupam Make It Yours Canvas Cover Art Book – 200GSM
Anupam Pupil Watercolour Black Tone Hard Bound Papers 250 GSM
Anupam Skin Watercolour Hard Bound Beige Tone Papers 225 GSM
Nitram Sharpening Bloc Replacement Pads
White Nights Granulating Watercolour Full Pans – Individual 26 Shades
All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating series significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.
The 26 shades are as follows:
Aquamarine Mist (559)
Blue Mist (558)
Blue Shadows (556)
Chromium Cobalt Mist (563)
Cobalt Mist (560)
Dark Blue Shadows (555)
Green Shadows (760)
Grey Blue Mist (562)
Grey Pink Mist (832)
Hematite Mist (632)
Lilac Mist (631)
Sky Blue Shadows (557)
Taiga Mist (761)
Violet Shadows (629)
Violet- Mist (630)
Augite porphyrite (633)
Scarlet mist (389)
Turquoise rose mist (561)
Red brown hematite (386)
Yellowish green mist (763)
Yellow tuff (268)
Orange mist (206)
Rose mist (382)
Ruby mist (387)
Grey-violet (634)
Green mist (762)
White Nights Granulating Watercolour Tubes 10ml – 26 Individual Shades
All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating series significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.
The 26 shades are as follows:
Aquamarine Mist (559)
Blue Mist (558)
Blue Shadows (556)
Chromium Cobalt Mist (563)
Cobalt Mist (560)
Dark Blue Shadows (555)
Green Shadows (760)
Grey Blue Mist (562)
Grey Pink Mist (832)
Hematite Mist (632)
Lilac Mist (631)
Sky Blue Shadows (557)
Taiga Mist (761)
Violet Shadows (629)
Violet- Mist (630)
Augite porphyrite (633)
Scarlet mist (389)
Turquoise rose mist (561)
Red brown hematite (386)
Yellowish green mist (763)
Yellow tuff (268)
Green mist (762)
Orange mist (388)
Rose mist (382)
Ruby mist (387)
Grey-violet granite (634)